Literary Criticism: Book Reviews (Various) (6/30; journal)
In-between: Essays & Studies in Literary Criticism
Department of English, R.L.A. College, University of Delhi,
Post Box 5205, New Delhi-110021 India.
<in-between @ britannica. com>
May 6, 2000
The reviews-editor seeks reviews of the Second set of publications listed
below. The titles in the First set have all been assigned. Reviews should
not be less than fifteen-hundred words. Longer reviews will be considered.
Reviews of more than one title can be combined together. All reviews are
due by June 30, 2000. Please let the editor know the title which you have
chosen to review and seek a confirmation that a particular title has not
already been assigned and is still available. In some cases review copies
are available for which scholars may forward requests at <in-between @
britannica. com>. Reviewers receive fifteen off-prints and a copy of the
issue.
1. Kate Aughterson. The English Renaissance: An Anthology of Sources and
Documents. Routledge, 1998.
2. Anna Battigelli. Margaret Cavendish and the Exiles of the Mind. U of
Kentucky P, 1998.
3. Carol Barash. English Women’s Poetry, 1649-1714. Oxford, 2000.
4. Catherine Belsey & Jane Moore. Eds. The Feminist Reader. 1989;
Macmillan, rpt.1997 2e.
5. Susanne Becker. Gothic Forms of Feminine Fiction. L14.99, pb. Manchester
UP,1999.
6. Daphne Callaghan. Shakespeare without Women. Routledge, 1999.
7. C.P. Cerasano & Marion Wynne-Davies. Readings in Renaissance Women’s
Drama. Routledge, 1998.
8. Kenneth Charlton. Women, Religion and Education in Early Modern England.
Routledge, 1999.
9. Juliet Dusinberre. Virginia Woolf’s Renaissance: Woman Reader or Common
Reader? Macmillan, 1997.
10. James Fitzmaurice. Ed. Margaret Cavendish: Sociable Letters. Garland
Reference Library of the Humanities; vol. 2009. 1997.
11. Nancy Holland. Feminist Interpretations of Jacques Derrida. Penn State
UP,
12. Joanna Hollows. Feminism, Femininity, and Popular Culture. Manchester
UP, 2000.
13. Grace M. Jantzen. Becoming Divine: Towards a Feminist Philosophy of
Religion. Manchester UP, 1998.
14. Paulina Kewes. Authorship and Appropriation: Writing for the Stage in
England, 1660-1710. Oxford, 1998.
15. Jean Peterson. Changing Representations of Gender in Seventeenth C.
England, New York: Routledge, 1999.
16. Emma Rees. Guest Editor. Women’s Writing. Margaret Cavendish Duchess of
Newcastle 1623-1673. Journal. Volume 4, no. 3, 1997. Special Number
17. Ann Shaver. Ed. The Convent of Pleasure and other Plays by Margaret
Cavendish. Baltimore and London: The Johns Hopkins Press, 1999.
18. Angela K. Smith. Ed. Women’s Writing of the First World War. Manchester
UP, 2000.
19. Terry Threadgold. Feminist Poetics: Poiesis, Performance, Histories.
Routledge, 1997.
20. Brian Vickers. English Renaissance Literary Criticism. Oxford, 2000.
21. Robyn R. Warhol & Diane Price Herdnl. Eds. Feminism: An Anthology of
Literary Theory and Criticism. Macmillan, 1997.
22. Nigel Wheal. Literacy, Print and Politics in Britain 1590-1660.
Routledge, 1999.
23. Martin White. Renaissance Drama in Action. Routledge, 1998
24. Susanne Woods. Lanyer: A Renaisance Woman Poet. Oxford, 1999. ###
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