CFP: Victorian Nocturnes (10/15; NVSA, 4/27/01-4/29/01)

From: Jonah Siegel (jsiegel@rci.rutgers.edu)
Date: Tue Jun 20 2000 - 16:17:33 EDT

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                        Northeast Victorian Studies Association
    2001 Conference

    CALL FOR PAPERS
    VICTORIAN NOCTURNES

    27th Annual Meeting: April 27-29, 2001 at Brown University, Providence,
    RI

            How did the Victorians or their world change when the sun went
    down? What were Victorian fears, nightmares, dreams and fantasies about
    the night? What technologies developed to light up the night, and what
    kinds of nightlife occurred? How did Victorian art forms embrace nocturnes
    and the nocturnal?

            For its 27th annual conference, the Northeast Victorian Studies
    Association looks forward to sleepwalking through the dark half of the
    day, in search of the awakenings and enlightenments that seeing how a
    culture deals with darkness brings. The topic includes, in addition the
    genre of nocturne in music, painting and poetry and Victorian
    conceptualizations about the night, but also more quotidian, so to speak,
    licit and illicit nocturnal activities of the period.

    Topics include (but are not limited to):

    Papers on hopes, fears, dreams, nightmares and desires: nocturnal
    pleasures, incubi and succubi, nocturnal emissions (inevitably), moonlight
    and full moon events (lunacy, moon mythology), real and imaginary night
    creatures, dark nights of the soul, things that go bump in the night,
    Gothic nights, vampires, goblins, etc., Victorian taboos and obscurities.

    The sciences of the night: seeing in the dark and Victorian
    synthaesthesia, astronomy and its tools (telescopes, spectroscopes, etc.);
    lighting technologies from candles through gas lights and electricity
    (gaslighting as well for those who dont respect categories), the
    interpretation of dreams, night photography.

    Night life: night work and the graveyard shift; night crimes, night
    rhythms, night passions; living arrangements: beds, overnight
    accommodations, the architectural disposition of sleeping spaces,
    overnight mails; night entertainments, theater, pleasure gardens, balls,
    mesmerism, seances, etc.

    Art at night: Nocturnes in music and painting (Whistlers nocturnes,
    Turner), night poetry (Thomsons City of Dreadful Night, Dowsons Grey
    Nights, Brownings Meeting at Night, etc.), The Thousand and One Nights and
    Burtons translation, the continuing hold of the Victorian and
    particularly London night on modern film and fiction.

    Paper Proposals (no more than two double-spaced pages) by Oct. 15, to:

    Professor Jonah Siegel
    Dept. of English
    Murray Hall
    510 George St.
    Rutgers University
    New Brunswick, NJ 08901

    Fax (attn: Jonah Siegel): (732)932-1150

    Email: jsiegel@rci.rutgers.edu

    Please do not send complete papers. Please do not include your name on
    your proposal: we review proposals
    anonymously. Please do include your name, institutional and email
    addresses, and proposal title in the cover letter that accompanies the
    proposal.

    Finished papers should take 15 minutes (20 minutes maximum) so as to
    provide ample time for discussion following each panel.

    Roundtable: In an attempt to allow more participation in the program, we
    are continuing the popular roundtable discussions on pedagogy that we
    initiated four years ago. This year we would like to focus on the
    connections and disjunctions between teaching and research: how does one
    drive the other? How has your teaching and the curriculum in general
    changed in response to directions in current scholarship? If you would
    like to make a presentation, please send a note to Professor Paula Krebs,
    Department of English, Wheaton College, Norton, Mass. 02766 (fax:
    (508)286-8263; email: pkrebs@wheatonma.edu) describing briefly (no more
    than one double-spaced page) the aspects of pedagogy that you would like
    to share. Keep in mind that being a presenter means creating an atmosphere
    for stimulating discussion rather than presenting a paper.

    The Coral Lansbury Travel Grant ($100.00) and George Ford Travel Grant
    ($100.00), given in memory of key founding members of NVSA, are awarded
    annually to the graduate student, adjunct instructor, or independent
    scholar who must travel the greatest distance to give a paper at our
    conference. Apply by indicating in the cover letter of your proposal that
    you wish to be considered. Mention also if you have other sources of
    funding.

    All who wish to join NVSA, and all members who have not yet paid their
    dues for the 2000-2001 membership year should return the attached
    tear-off. And Dr. Hartley Spatt (24 Center Street, Woodmere, NY, 111598)
    urges all members to send him a note subscribing to the Victorian Studies
    Bulletin ($5.00 a year).

    Finally, as many of you know, our Vice-President for Information Services,
    Professor Glenn Everett has established a NVSA list (NVSA-L) on email and
    a NVSA Home Page on the World Wide Web (http://fmc.utm.edu/nvsa/). The Web
    site offers items of interest to NVSA members. NVSA-L is a place to
    summarize and share conference activities and logistics, and to conduct
    NVSA business. Its used mainly around conference time, so dont worry that
    it will clutter up your mailboxes. To subscribe, send a message to
    ListProc@utm.edu. Leave the subject line blank; on the message line write
    SUB NVSA-L your first and last name.

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