CFP: Blake (9/15; NEMLA, 3/30/01-3/31/01)

From: jdg221 (jdg221@is7.nyu.edu)
Date: Tue Aug 08 2000 - 07:08:48 EDT

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    Blake :

    Northeast Modern Language Association Convention
    Hartford, Connecticut
    March 30-31, 2001

    William Blake is undoubtedly one of the most prolific poets in the
    language. The groundbreaking work of Damon, Frye, Bloom and Erdman, among
    others, has taught us how to read Blake on his own terms, and in relation
    to his immediate milieu. Recent years have shown a dramatic increase in
    historicist work on William Blake. Is it possible to respect the
    difficulty, originality and figural wealth (not to say madness) of Blake's
    texts, while simultaneously remaining responsible to historically informed
    questions of war, class struggles, labor and consumption, not to mention
    implications in imperial, national and religious politics, racial
    hierarchies and gender issues?

    The purpose of the proposed session is therefore two-fold: an attempt to
    rescue Blake from being imprisoned in a tower of aesthetic autonomy where
    he would have been quite unhappy, if not extremely irate, and an effort to
    keep him free from stereotypical ('which side are you on?') treatments
    that pretend to address historical, global or political problems only to
    end up simplifying the complex poetic inscriptions that are ostensibly
    being read. For Blake, the personal is political, but he also demands that
    it be figurally exuberant. It is hoped that the panel will be able to
    respect this double Blakean imperative: to be historically engaged without
    losing sight of the religious, the aesthetic or the intimate.

    The focus, then, will be on Blake's singular 'productions of time,' and on
    the socio-historic conditions that rhythm these productions--that is, how
    the latter inform the former through and through, and vice versa. Perhaps
    it is possible to maintain Blake's textual presence as an artist in a wild
    and whirling world where the fate of humankind seems to rest on the
    apparent instability of a word, an apostrophe (Los[']s Loss), or the
    flourish of a paintbrush.

    Please send 1-2 page abstracts or completed papers (no attachments
    please) by e-mail by September 15, 2000 to:

    jdg221@is7.nyu.edu

    Snail Mail is also welcome:

    Joshua David Gonsalves
    452 Riverside Drive, # 42
    New York, NY
    10027, USA

    --Accepted panelists must join NEMLA by November 1, 2000.

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