CFP: Rereading the Antebellum Slave Narrative (9/15; NEMLA, 3/30/01-3/31/01)

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Date: Fri Aug 18 2000 - 12:11:36 EDT

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    Rereading the Antebellum Slave Narrative

    North East Modern Languages Association (NEMLA) Annual Conference in
    Hartford, Connecticut, March 30-31, 2001

    Often considered the foundation of African American cultural expression
    despite its notorious reputation for being historically "miscegenated" or too
    carefully controlled by white sponsors, the narratives of Olaudah Equiano,
    Linda Brent, Frederick Douglass, William Wells Brown, Josiah Henson, Henry
    Bibb, JWC Pennington, Ellen and William Craft and countless others offer
    researchers and critics from a broad range of disciplines a fecund territory
    of discursive cultural production that has yet to be thoroughly examined, let
    alone mapped. Moving beyond existing criticism, this panel seeks to map out
    some of these spaces of possibility within the nineteenth-century slave
    narrative. The panel places particular emphasis on the complex web of
    material and social relations surrounding the genre, its historical milieu
    and its various twentieth century critical receptions. As a historical
    product implicated in a matrix of cultural forces, the slave narrative puts
    traditional binarisms into productive crisis, blurring boundaries between
    history and fiction, white and black, slave and master, North and South,
    African and American, and self and other, while providing the forum through
    which the slave enters the public sphere as a speaking subject.

    Possible topics may include:
    negotiations of national and/or racial identities
    Afrodiasporic themes, textuality and middle passage
    the fetishization of black masculinity, femininity,
    spectacle and black bodies, violence
    narrative structures of identification, reader response, the imagined audience
    construction of narratorial, historical, or vernacular authenticities
    unveiling subjectivities or unmasking multiple authors
    archival slave narratives, newspapers and narratives, narratives and history
    generic intersections, such as with sentimentalism, travel literature,
    memoir, the confession
    the problem of authenticity, ventriloquizing

    Please email a 500 word abstract on any aspect of the slave narrative by
    September 15 to miachane@indiana.edu with NEMLA as the subject line. The
    panel is open to all interested scholars and graduate students are always
    strongly encouraged to participate.
     
    Michael A. Chaney
    Indiana University, Bloomington
    miachane@indiana.edu

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