CFP: Regionalism, Nationalism, and Internationalism, 1914-1945 (12/1; 5/17/01-5/19/01)

From: rfoy (rfoy@uno.edu)
Date: Tue Sep 05 2000 - 01:23:19 EDT

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    REPRESENTING REGIONALISM, NATIONALISM, AND INTERNATIONALISM IN THE SPACE
    BETWEEN, 1914-1945.

    University of Arkansas, Fayetteville, May 17-19 2001

    Keynote Speaker: Jane Marcus

    Plenary Panelists (to date):

    Robert H. Brinkmeyer, Jr.
    M. Keith Booker
    Phyllis Lassner

    Submissions invited for papers to be presented at the fourth annual
    conference of The Space Between, a scholarly society for the study of
    literature and culture during and between the wars:

    Papers illuminating any aspect of this general topic are welcome,
    especially those that are interdisciplinary in nature, those that concern
    overlooked texts or understudied writers and artists, or those that offer
    new approaches to canonical works. We encourage scholars working in film,
    theater, history, and art history, among other possible approaches to our
    subject.

    The following questions are intended to suggest but not limit areas of
    enquiry:

    How does regionalism as a generic definition assume particular meanings in
    American art and culture between 1914 and 1945?

    How does the concept of regionalism take on different meanings when
    applied to or ascertained from Canadian, British, European, Latin
    American, or Asian writers and artists of the period?

    How did concepts of regionalism and nationalism change within specific
    areas between the First and Second World Wars?

    What kinds of relationships between regionalism and nationalism emerge in
    the artistic and cultural production of the period?

    How is nationalism defined differently by different cultural
    representations of the period?

    How is the emergence of internationalism as a political ideal represented
    in the period's cultural productions?

    How do such culturally defined aesthetic movements as the Harlem
    Renaissance and New York Jewish Socialist literature, or expatriate and
    exilic cultural production complicate our understanding of nationalism and
    internationalism?

    How does nationalism inflect and disturb the boundaries between the class
    designations of proletarian and modernist movements?

    Abstracts should be submitted by December 1, 2000 to

    Christina Hauck
    Department of English
    Kansas State University
    Manhattan, KS 66506

    or by email: hauckc@ksu. edu

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