CFP: Authenticities East and West (grad) (1/31/01; 3/30/01-4/1/01)

From: Kevin Tsai (stsai@Princeton.EDU)
Date: Sun Oct 01 2000 - 23:11:42 EDT

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    C A L L F O R P A P E R S

    Authenticities East and West
    March 30 - April 1, 2001

    ABSTRACT SUBMISSION DEADLINE: January 31, 2001

    The Society for Intercultural Comparative Studies is a newly formed
    organization that seeks to foster the growing community of scholars in
    the field of cultural criticism by providing an on-going and open forum
    for discussion. One of the Society’s first projectsis the graduate
    symposium "Authencities East and West," to take place March 30 – April
    1, 2001, at Princeton University.

    Common to much critical practice, notions of authenticity underlie
    various units of study such as events, texts, and identities. To compare
    cultures with no benefit of historical influence, the scholar must
    examine assumptions of what is authentic from various angles: from its
    root meaning of authority to representations of origins and authorship
    through metaphysical ideas of truth. What constitutes an authentic text,
    event, genre, subject, or author in disparate traditions? To whom is
    this authenticity important? Are authenticities important at all? What
    do authenticities mean in relation to accounts of historical moments
    across cultures? How do authenticities relate to the material and
    ideological implications of "different" cultural products? What
    practical and theoretical difficulties for the comparatist arise in
    writing and reading authenticities? These important issues are at the
    heart of our conference.

    We invite papers from both graduate students and recent post-doctoral
    scholars from all fields of humanities, ancient or modern. Papers may
    engage with literary, cultural, political, and historical topics and
    issues. The first restriction, however, is that they must address one
    Western culture (of European tradition) and one East Asian culture (of
    Chinese, Japanese, or Korean traditions). Second, we will exclude
    problems of reception or influence (that is direct connections between
    two cultures)

    Papers submitted should deal EITHER (1) with theoretical issues of
    comparison, OR (2) with a comparative study of specific works that will
    provide insight to such theoretical issues.

    Some examples of potential areas of inquiry include, but are not limited to:

    -- What constitutes authenticity in differing traditions at different
    moments? What constitutes authenticity for the comparatist?
    -- What, if any, are viable units of comparison? Genre, period, media,
    socio-political events, technology? Can one apply the problematics of
    one literary tradition or one culture to analyze another?
    -- Why is such comparison necessary? What does comparison achieve, with
    respect to, for instance, the politics of comparison, or the relation of
    subject to object?
    -- Does the nature of historically and culturally unconnected comparison
    differ from other kinds of comparison? If so, how and what are the
    implications? What is the role of the comparatist in creating this comparison?
    -- How will East-West comparison not based on historical connections be
    useful to other comparative and non-comparative studies?

    Each paper will be allocated 20 minutes for delivery with generous time
    for discussion, which designated respondents will initiate. We will
    offer a travel fellowship to encourage international papers or papers
    from distant institutions from the West Coast or Hawaii.

    Rey Chow, Karatani Kôjin, and Robert Wardy will conduct workshops in
    their areas of expertise. Brown’s Rey Chow, a cultural theorist on
    modern China, the author most recently of Ethics After Idealism, will be
    giving a workshop titled "Asymmetry, Appropriation, Authenticity:
    Persistent Problematics in East-West Comparative Studies." The
    complementary event, "Inauthenticity: Some Examples," will be conducted
    by Robert Wardy, a Cambridge Hellenist who recently published Aristotle
    in China: Language, Categories and Translation. Finally, Karatani Kôjin,
    arguably the most influential literary critic in Japan in the past
    twenty years whose latest work in English is Architecture as Metaphor,
    will lead a workshop on "Transcritique: Kant and Marx."

    Abstracts of 500 words or two pages may be submitted by January 31,
    online at:

            http://web.princeton.edu/sites/sics/application.htm

    or by mail to:

            Society for Intercultural Comparative Studies
            Attn: Authenticities East and West
            318 East Pyne
            Princeton University
            Princeton, NJ 08544

    For more information on the Society for Intercultural Comparative
    Studies please consult the website in progress:

            http://web.princeton.edu/sites/sics/

    All questions and comments to Jonathan Abel (jonabel@princeton.edu),
    Shion Kono (skono@princeton.edu), or Kevin Tsai (stsai@princeton.edu).

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