CFP: Byzantine, Medieval & Late Roman Drama (11/1; 4/26/01-4/28/01)

From: Andrew W. White (awhite@wam.umd.edu)
Date: Fri Oct 13 2000 - 10:11:43 EDT

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    Apologies in advance for any duplications of this message due to
    cross-posting:

    For the 25th Comparative Drama Conference, to be held at Ohio State
    University April 26-28, 2001, I will be organizing at least one panel on
    _Byzantine, Medieval & Late Roman Drama_.

    The topic area is intentionally broad, in part because the study of
    Byzantine performance practice, sacred and secular, is one with quite a
    wide range of possibilities. By "Byzantine" is meant, initially, the
    Eastern Roman Empire based in the capitol of Constantinople,
    traditionally dated 330-1453. But the Eastern Empire's roots extend
    back to the culture of Ancient Greece and Rome, and geographically
    Byzantium's influence -- military, political and/or cultural -- extended
    from Gibraltar to Siberia, from England to Ethiopia, and, very likely,
    beyond. In addition, this Christian empire's regular contacts with
    Muslim and Western culture ensured a long, fertile period of debates on
    issues of liturgical practice, aesthetics, drama and performance that
    all bear closer scrutiny.

    Possible topic areas are myriad, but aside from more traditional inquiry
    can also include comparative analyses of religious ritual/liturgy from
    the standpoint of the drama; issues of dramatic structure, orality
    and/or performativity in sacred text; the drama in Egypt and North
    Africa; Islamic vs. Christian concepts of drama; dramatic structure in
    hymnography; and music and the drama.

    In the spirit of the original CFP for the Comparative Drama Conference
    you may have already received, I would like to reiterate that for this
    panel, "Papers may be comparative across disciplines, periods or
    nationalities, may deal with any issue in dramatic theory and criticism,
    or any method of historiography, translation, or production."

    Questions are more than welcome, and depending on the response we may
    have more than one session. I would appreciate it if abstracts could be
    submitted to me by November 1.

    Many thanks,
    Andrew Walker White
    Department of Theatre
    University of Maryland, College Park
    awhite@wam.umd.edu

    mailing address:
    2026 N. Vermont Street #301
    Arlington, VA 22207

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