This is a notice for an extended deadline for proposals, which should be =
included in the body of an e-mail message to ammurphy@canuck.com. The =
session is an approved special topic for Vancouver, October 11-13, 2001. =
Please forward this cfp to any interested persons.
Canadian Travel Writing: Extreme Tourism in the Twentieth Century
There are still places to go and journeys to be written into stories. =
The physical world may be thoroughly charted but when it encounters the =
uncharted territory of the intellectual, psychological, and creative =
worlds of the extreme tourist, extreme stories result. In a tradition =
which includes David Thompson and Mina Hubbard, this branch of travel =
writing is as much about the journey in as the journey out. The element =
of risk is integral; these are not holidays. Papers which address any =
aspect of the resultant documents of extreme travel are invited. More =
than just maniacs who engage in high-risk behaviour, these travellers =
want to risk and tell. Look to Sand Dance: By Camel Across the Arabian =
Desert (Bruce Kirkby); The Water in Between: A Journey at Sea (Kevin =
Patterson); and Honeymoon in Purdah (Alison Wearing) as very recent =
examples of this phenomenon. When a caf=E9 just isn't our Everest, when =
the beach is no Empty Quarter, where do we go, and why do we go, and =
what have we got to say for ourselves when we get home? What are we =
trying to prove? To whom? And what makes others of us want to read about =
it? Somewhere there is a line between sailing on the reservoir and =
white-water rafting; then there's another one between that and taking on =
an ocean. There's a line between watching Lawrence of Arabia and heading =
out to meet the scorpions. There's a line between dinner at an Iranian =
restaurant and putting on the veil. What does it take to cross the line? =
And, most importantly, what kind of story does it make?
===============================================
From the Literary Calls for Papers Mailing List
CFP@english.upenn.edu
Full Information at
http://www.english.upenn.edu/CFP/
or write Erika Lin: elin@english.upenn.edu
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