CFP: "Freaks" in Comparative Male Cinematic Portraiture (9/15/01; NEMLA, 4/12/02-4/13/02)

From: william martin (grammar23@hotmail.com)
Date: Fri Jul 13 2001 - 19:17:17 EDT

  • Next message: Gerard Greenway: "CFP: ANGELAKI: Theoretical Humanities (2/28/02; journal issue)"

    CFP::" Freaks" in Comparative Male Cinematic Portraiture. (09 15 2001;
    NEMLA 04/ 12-13 2002)

    Chair:: William Alejandro Martin

    Type of Session: Traditional Panel (3-4 participants)

    Listing:: Comparative Film as Text for Male Portraiture.

    One sentence description: The parade of male heterosexual freaks which
    have come to the fore in many contemporary Western films is a motley crew
    unified in their search for male identity through obscene fixations with
    ontological objects that substitute for real emotional exchange or, actual
    dialogue about what forces shape and control the way males produce, as w
    ell as, document what male portraiture is.

    Rationale:

    The ideological potentiality inscribed in the cinema of, among others,
    Godard, Lynch, Tarskotsky, the Coen Brothers and Cronenberg, has already
    been examined by critics as varied as Frederic Jameson, Gilles Deleuze,
    Joan Copjec, David Leverenz, Linda Williams, Slavoj Zizek, Theresa Mulvey,
    and Lawrence Grossberg. What has been of less importance in contemporary
    cinema dialogue is hypothesizing about the importance of what might be
    categorized as the parade of male heterosexual freaks standing at the core
    of films such as Fight Club, American Beauty and Snatch which personify
    the dysfunctional symptomology of contemporary male representation. A
    conundrum of male personae unified by virtue of their despairing pursuit
    for an identity that has been erased, that has, for one reason or another,
    become impossible.

    Of interest to this panel are investigations of male portraiture which
    empathize obscene male fixations with ontological objects which substitute
    for genuine emotional exchange. And how prejudicial meta-dialogues shaping
    and controlling Nationalistic mythologies effect what constitutes male
    portraiture as such. Papers dealing with the cultural approaches of
    critics such as Mark Kingwell, Judith Butler, Gilles Deleuze (& Felix
    Guattari), Theresa de Laurentis, Elizabeth Grosz, Peter Murphy, Slavoj
    Zizek, Pierre Bourdieu and David Leverenz are especially welcome.

    Contact information: William Alejandro Martin
    Office Address: Dept of English, McMaster University (CNH 320)
    1280 Main Street West, Hamilton, Ontario, Canada - L8S 4L9
    Academic Affiliation: McMaster University, Hamilton, Canada.
    Phone: (905) - 525 - 6739
    E-Mail: martinwa@mcmaster.ca, grammar23@hotmail.com
    FAX: (905) - 777 - 8316

    William Alejandro Martin
    Doctoral Candidate, Dept. of English
    McMaster University
    905 - 525 - 9140 ex. 24491
    Vice President, McMaster Un. Graduate Student Assn.

    grammar23@hotmail.com

             ===============================================
             From the Literary Calls for Papers Mailing List
                          CFP@english.upenn.edu
                           Full Information at
                    http://www.english.upenn.edu/CFP/
              or write Erika Lin: elin@english.upenn.edu
             ===============================================



    This archive was generated by hypermail 2b29 : Mon Jul 16 2001 - 18:23:20 EDT