CFP: Modernist Time and Its Futures (11/11/01; 3/8/02-3/9/02)

From: Ilana R Simons (irs2556@nyu.edu)
Date: Thu Sep 27 2001 - 18:22:45 EDT

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    NYU Modernism Conference
    Jonathan Culler Keynote Speaker

    Conference:
    This conference centers on ways of reading modernism. Each
    panel focuses on a distinct methodology or approach to looking at
    Modernist works. Not limited to graduate students.

    Conference Format:
    Papers will not be read in the panels but will be submitted at least
    one month prior to the conference and posted on our website for reading
    before arrival.
    Panelists will bring 1-2 page handouts (which can be a
    synopsis, a diagram, a list of bullet points, a series of important
    quotations) to be distributed at panel discussions. Each participant
    will have ten minutes to present his or her work, and panel leaders
    will lead a discussion between members.

    Panel:
    "Modernist Time and Its Futures"

    There are many ways in which (and reasons why) modernist writers
    attempt to construct different kinds temporality within their texts.
    These texts often involve a radical reimagining or reconceptualizing
    of traditional representations of chronology. Literary temporality
    -- ie, the manipulation of duration, order, and frequency; the
    relationship between future, past and present; the biological,
    historical, theological, psychological, and metaphysical thematics of
    time -- informs both the kinds of narrative and poetic texts
    modernist writers created, and the kinds of narratives we create in
    order to understand modernism.

    The conversation in our panel will begin from two related questions:
    1.) How and why did modernist writers (re)imagine or (re)construct
    temporality? Which models and discourses--both within and from
    outside of literature--influenced and informed their projects?

    2.) What have been the ramifications of these projects--formal,
    thematic or otherwise--on different aspects of subsequent literature?

    Thus, we expect our panelists to do two things: first, argue for the
    presence of some discernable project in the reconceptualizing of time
    in any modernist text; second, either
    argue about or speculate on the literary "future" of this specific
    project--either in terms of its influence on subsequent literary
    texts, or its more general implications for how we think about
    modernism's formal and imaginative legacies.

    Send all inquiries and abstracts to Brian Booker (bhb202@nyu.edu) and
    Dave Sherman (drs211@nyu.edu)

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