CFP: Fakes and Forgeries (UK) (1/1/02; 7/8/02-7/9/02)

From: Peter Knight (Peter.Knight@man.ac.uk)
Date: Tue Oct 30 2001 - 07:58:20 EST

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    Call for Papers: "Fakes and Forgeries, Conmen and Counterfeits"

    Contributions are invited to an interdisciplinary conference on "Fakes
    and Forgeries, Conmen and Counterfeits," to be held at Durham Castle
    (UK) on 8th and 9th July 2002.

    Recent cultural theory has called into question traditional notions of
    authenticity and originality. Despite critical pronouncements of the
    death of the author and the substitution of the simulacrum for the
    original, however, making a distinction between the genuine and the
    fake continues to play a major role in our everyday understanding and
    evaluation of culture, law and politics. Consider, for example, the
    fiasco surrounding the "forged" Hitler diaries, law suits against
    auction houses for failing to detect forgeries in the art market, or
    the problem of plagiarism at universities. It still seems to matter
    that we can spot the difference. But what are we to make of conspiracy
    theories that the moon landings were faked in a Hollywood studio; the
    Sokal hoax article in Social Text; or Fragments, Binjamin
    Wilkomirski's "fake" Holocaust memoir? Has the distinction between the
    counterfeit and the real been undermined by the technological ability
    to make copies that are indistinguishable -- and sometimes
    better -- than the original? Has the notion of authenticity changed
    in recent times? Do different cultures set the boundaries in
    alternative ways?

    This conference seeks to bring together scholars from a variety of
    disciplines -- cultural theory, literary studies, film studies,
    history, art history, cultural anthropology, economics -- in order to
    explore the historical, social and cultural significance of fakes,
    forgeries, hoaxes and counterfeits.

    Possible topics could include:-

    * fake memoirs
    * film "mockumentaries"
    * counterfeit currency
    * branding, logos and ripoff goods
    * frauds, scams, swindles and cons
    * confidence tricksters
    * P. T. Barnum and Boggs
    * disguise and deception
    * blackface and passing
    * masquerades and ventriloquism
    * forgery in the art world
    * faked archaeological and scientific discoveries
    * internet hoaxes and urban legends
    * conspiracy theories about forged evidence and misinformation
    * digital imaging and virtual reality
    * detection and authentication
    * plagiarism and copyright
    * retro repro

    Further details of the conference will be available later at:
    www.art.man.ac.uk/english/fakes.html

    Publication of selected papers is planned for 2003/4.

    Please email a 250-word abstract by 1st January 2002 to both
    organisers:

    j.j.long@durham.ac.uk peter.knight@man.ac.uk

    Dr Jonathan Long Dr Peter Knight
    Department of German Department of English
    University of Durham University of Manchester
    Durham, DH1 4EW Manchester, M13 9PL
    UK UK

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