CFP: Women's Poetry and the Fin de Siecle, 1875-1914 (UK) (1/7/02; 6/14/02)

From: a. parejo vadillo (a.parejovadillo@english.bbk.ac.uk)
Date: Tue Nov 06 2001 - 11:12:32 EST

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    Women's Poetry and the Fin de Siècle (1875-1914)

    Speakers will Include Isobel Amstrong (Birkbeck College, University of London)
    and Joseph Bristow (UCLA) amongst others from the US and the UK

    14 June 2002
    Call for Papers

    Recent years have witnessed a growing and widespread
    interest in the field of fin-de-siècle women poets, with
    scholars starting to address the work of a vast array of
    turn-of-the-century women poets, including Amy Levy, Alice
    Meynell, "Michael Field", Dollie Radford, Olive Custance,
    Nora Hopper, Mathilde Blind, Dora Sigerson and "Graham R.
    Tomson". Significantly, literary scholars and historians
    have recently begun a process of reconfiguration of the
    fin-de-siècle years by focusing on key topics such as The
    New Woman, Decadence, Urban life, the New Imperialism,
    Aestheticism and Racial Science.

    Yet, despite this groundbreaking interrogation of both
    women's poetry and the fin de siècle, there has been very
    little work examining fin-de-siècle women's poetry in the
    light of recent debates about the New Woman, Aestheticism,
    Decadence and Modernity. Birkbeck College has played an
    important role in foregrounding women's poetry and in
    reconfiguring debates about the New Woman in two seminal
    conferences, Rethinking Women's Poetry, 1730-1930 and The
    New Woman: Gendering the Fin de Siècle. This conference
    continues an ongoing process of rethinking the poetic
    landscape of the long nineteenth century. Indeed, it
    originates in a demand to rethink the relation between
    fin-de-siècle women's poetry and the literary history of
    the fin de siècle. How did fin-de-siècle women's poetry
    relate to New Woman literature? And to the Symbolist
    Movement? How did women poets participate in Aestheticism?
    What were their responses to the New Imperialism? How did
    their poetics address the gender politics of the
    late-Victorian period?

    Papers that consider fin-de-siècle women's poetry in
    relation to issues such as The New Woman, British
    Aestheticism, Decadence, Poetics and Modernity are
    especially sought, but papers that either address the work
    of single authors or that focus on fin-de-siècle women's
    poetry and social and critical concerns such as Religion,
    The City, Gender, Class, Race, Mass-culture, Empire,
    Socialism and Social Darwinism are also welcome.

    Organisers: Ana Vadillo (Birkbeck College) and Marion Thain (The University of Birmingham).

    Hosted by the Institute for English Studies in conjunction
    with The Birkbeck Centre for Nineteenth-Century Studies and
    The University of Birmingham.

    Abstracts of no more than 300 words should be sent by 7th January 2002 to:

    Ana Vadillo, School of English and the Humanities, Birkbeck
    College, University of London, Malet Street, London
    WC1E 7HX, UK. E-mail: a.parejovadillo@eng.bbk.ac.uk

    Marion Thain, Department of English, The University of
    Birmingham. Edgbaston, Birmingham, B15 2TT, UK.
    E-mail: M.Thain.2@Bham.ac.uk

    E-mail is preferred.

    ----------------------
    Dr. Ana Vadillo
    a.parejovadillo@english.bbk.ac.uk
    School of English and Humanities
    Birkbeck College
    University of London
    London WC1E 7HX

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