CFP: The Academic Personae and What Makes a Good Looking Thinker (grad) (1/31/02; 3/23/02-3/24/02)

From: Matt Kavanagh (mkavan1@PO-Box.McGill.CA)
Date: Fri Nov 30 2001 - 18:52:21 EST

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    8th Annual McGill University Graduate Student Symposium on Language and
    Literature
    "Representing the Border"
    March 23 & 24, 2002
    Montreal, Quebec

    The Academic Personae and What Makes a Good Looking Thinker
     
       Papers are being solicited for a panel on the academic personae and
    media. In recent years, academics and "authorities" have been turning up
    all over the media to give their opinions on current events and to expand
    upon subjects using their expertise or their theories. What happens to
    the academic when he/she crosses from the campus to the realm of the mass
    media? We might take as an example ways in which the value of Marshall
    McLuhan's criticism is judged and presented in light of how he projected
    himself as the guru of the televisual age. How did Ezra Pound's academic
    reputation/ personae suffer after he was accused of treason for making
    racist and inflammatory broadcasts on Italian radio. It seems that the
    academic personae, or the way in which the academic portrays him/herself
    through public media, can have a dramatic impact on how he/she is
    accepted in the academy and the public. This panel wishes to explore the
    borders between the personae of a thinker in the academy and the personae
    created by or for the media.
       One page proposals, which are by no means limited to the following
    suggested topics, are requested:

    - What makes up the border between the academic and the public? Who makes
    it?
    - How is the work of an academic affected by appearances on television/
    radio/ film, etc.?
    - What is the difference between the private academic and the popular
    academic
    - What is the role of the university in marketing the academic?
    - Who creates the personae? Is there a template?
    - Is there a difference in the language of a popular academic and a
    private one?
    - Where or how does the academic learn how to project themselves in
    public? Are we training new academics to function in the world of popular
    media? If so, what are the ramifications on the university? If not, what
    happens to the public's perception of the academic?
    - Is the role of the public academic largely decorative, a border around
    more pressing concerns?

    Abstracts are due January 31st. Please forward them to:
    dnwright@sympatico.ca
     
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