CFP: "Falling" in Dance/Performance Studies/Interdisciplinary (5/15/02; collection)

From: Lacey Torge (lt237@nyu.edu)
Date: Thu Feb 07 2002 - 10:21:53 EST

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    CALL FOR SUBMISSIONS: Dance/Performance Studies/Interdisciplinary

    "FALLING"

    This anthology interrogates the understanding that the physical act of
    falling has become institutionalized as one of the central organizing
    principles of 20th century dance. We recognize that the history and
    practice of modern dance is intricately tied to the politics of dissent
    and descent. It has also been tied to a variety of narratives and
    counter-narratives pertaining to citizenship and decency. Here a
    metaphorical fall from grace and verticality may be considered for the
    ways in which it is metaphysically and phenomenologically bound with
    resistance, sexuality, release, failure, mortality, and revolution. Yet
    this anthology is also concerned with the ways in which postmodernism,
    globalization, and late capitalism have affected the cultural and
    political practices of dancers, choreographers and other movement
    practitioners who may challenge the ideas of falling that were
    championed by the early pioneers of modern dance. If falling has
    functioned as one of the ideological staples of 20th century dance
    repertoire, in what ways might recent performances and/or scholarly
    hermeneutics be revising this legacy? If falling still holds us in its
    thrall, how so? On the other hand, if not falling, then what?

    We are seeking submissions that address the following themes:
    techniques of falling, and falling as a failure of technique; the
    choreographed fall, and the accident; thrill and trauma; pratfalls and
    physical comedy; proscenium and everyday life; myth and symbol;
    material phenomena and gestural practice.

    We welcome papers that consider the fall in movement and dance and the
    diversity of contexts implied therein: ballet's leap, modern's fall; in
    western and non-western forms; in abled and disabled movers; in sport
    and social dance; from a range of discourses that have contributed to
    the theorization of dance, including anthropology, comparative
    literature, history, medical science, architecture, and psychoanalysis.

    DEADLINE for Submissions: May 15, 2002

    Please mail a copy of paper with CV and letter to:

    Michelle Dent/MJ Thompson
    C/O Performance Studies
    New York University
    721 Broadway, 6th Floor
    New York, NY 10003
    mld203@nyu.edu

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